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5 Most Brutal Rituals Around The World

In his seminar, “On Being a Man”, David D. laments Western culture’s lack of a ceremonial transition to manhood. Sure, we do all right commercially and technologically, but socially, we’re detached from our intrinsic nature. David points out this disconnection means adolescent males have to figure out the meaning of manhood for themselves - and a lot of them never do. He wouldn’t be in business otherwise, right?

A lot of what the man says is true. I mean, it’s stuff he’s read about so it must be… Seriously though, a tradition of ushering men into the rights and responsibilities of manhood has many obvious benefits. For one thing, giving young men a clear idea of their social role would prevent the kind of confusion and alienation that leads to them becoming old men still living in their parent’s basements. Sure, the trend of the basement troll is partly economic, but if all those guys were given a thorough grounding in channeling and controlling their masculine force, it’d be the World of Warcraft economy crashing rather than the real one.

Of course, male initiation isn’t all fun and bris knives. Being a man thing, it has the potential to reach wild extremes of cruelty and brutality. And, around the world and throughout history, it often has. We now present the dark side of male initiation:

#1. The Sambia of Papua New Guinea

The fairy tale of cultural relativism tells us all tribal cultures live in absolute peace and harmony. Witness the Boasian a(nthro)pologist, Margaret Mead’s, “Coming of Age in Samoa.” It’s pure fantasy, completely glossing over the harsh realities of - dare we say it? - primitive cultures. The Sambia people, found close to Samoans in nearby Papua New Guinea, are a good example of just how harsh, and even unnatural, those realities can be.

The Sambia are, for want of a PC term, a bunch of women-hating whoopsies. In their villages, the genders live separately, with men in the centre and women on the outskirts. Sambia boys go through a phased initiation process that makes a military hazing look like a picnic.

Starting around age five, the boys have sharp sticks poked up their noses until their blood runs freely. This process, a kind of male menstruation, is repeated regularly - but that’s far from the worst. The boys are also forced to uh, ingest and otherwise take in what the Sambia think of as “male milk.” You can fill in the unpleasant blanks.

When they’ve undergone enough years of having various things poked into them, the boys are finally allowed to marry. Sex within marriage is a mechanical act for both genders, with the men so scared of contamination from their wives that they “cleanse” themselves with mud afterwards.

For more on the charming practices of the Sambia, check out this essay on Helium. It goes into far more disturbing detail on the Sambia, and features equally disturbed Freudian/Feminist psychobabble. In closing, the author admonishes us to “keep in mind the viewpoint of cultural relativism, as each culture is unique, yet equal.” So, a culture of backwards, child-molesting mysoginists is equal to yours. Nice.

#2. Satere Mawé Bullet Ant Glove


Bullet ants are the nastiest species of ant found in the Amazon Rainforest, and that’s saying a lot if you know anything about fire ants. They’re not, as you might think, called bullet ants because of their size, although it is comparable. They’re called bullet ants because their sting feels like getting shot.

Now, some of you may think that’s an exaggeration. Well, bear in mind, bullets are designed to injure or kill, not to hurt. The venom of the bullet ants has been “designed” by evolution over aeons to persuade other creatures to steer clear of bullet ants. According to the Schmidt Sting Pain Index, bullet ant stings are the worst in the insect world: “Pure, intense, brilliant pain. Like fire-walking over flaming charcoal with a 3-inch rusty nail in your heel.” So, it seems quite strange that the Satere Mawé people inflict hundreds, if not thousands, of these stings upon their young men.

This Rainforest tribe have an ingenious method for ensuring their initiates into the cult of manhood don’t flinch away from the agony of the ants. They sew the ants into pairs of wicker gloves, stingers pointing inwards, then have the men don them like oven-gloves with the oven on the inside. Initiates, some as young as twelve, then have to dance around with the gloves on. This lasts between ten minutes and half an hour, and happens not just once but twenty times.

If this all sounds a bit surreal, check out National Geographic’s coverage. The Satere Mawé initiation into manhood is even more hardcore than it sounds. Let’s again discard the cultural relativism to say the Satere Mawé are infinitely braver and hardier than Westerners for enduring this ritual.

#3. The Spartans of Ancient Greece


Spartan warriors were famous for the unforgiving initiation to their young men had to undergo. Failure to withstand the deprivation, beatings and difficult challenges would result in shame and exile at best, and death at worst. Nowhere is the “militocratic” rule of the Spartans more apparent than in the Krypteia. This festival took place annually, and involved the torment and murder of Helots.

Helots were the Spartan slave-class, who basically supported the military power of Sparta by farming its field and performing other such labours. Come the Krypteia, young Spartans were unleashed onto this oppressed caste in a bid to prove their worth as Spartan warriors. Helots found in the countryside without good reason were killed, Helots known to be rebellious were killed, and sometimes even random Helots who’d never stepped out of line were killed. It may sound brutal today, and it is, but perhaps not all that different from the gang initiations of today, in which innocents are often killed as unjustly as the Helots. The difference is, the Helots eventually revolted and allied with other Greek peoples to overthrow the Spartans.

#4. The Zulu of South Africa


A lot of cultures feature ritual male circumcision as a necessary rite of passage. Tradition aside, there are minor medical reasons both for and against circumcision, and it seems a relatively harmless practice - just not as practiced by Zulus. See, there’s a big difference between a surgical circumcision performed in a hospital under anaesthetic by a sober doctor using a scalpel… And having a drunken witchdoctor hacking at your business with a sharp rock.

But let’s start at the beginning: Zulu teens are rounded up and sent off on “man camp” once the village chieftain decides enough of them have come of age. Amid much excitement, the youngsters are sequestered from the rest of the tribe in a secret bushveld location. Elderly tribeswomen bring them food and booze during this transitional period, in which the youths are daubed in white dust until they resemble, well, whites. Various other ceremonial rites, which one’s inner Victorian might refer to as “heathen mumbo jumbo,” are performed in accordance with the wishes of the ancestors. The process then culminates with the removal of the youngster’s foreskins, using either a spear blade or the aforesaid sharp rock.

Now, all this “surgery” obviously doesn’t take place under very sterile conditions. The leaves, mud and dung given the recovering patients to staunch their bleeding often fails to prevent infection - dung’s funny that way. As you might expect, serious damage or disfigurment of the genitals is a regular occurence and, with proper treatment usually several day’s travel away, death is not an unusual outcome. Even if all goes well, healing can take three or four months and the pain is, obviously, terrible. So, next time you feel tempted to adjust your manhood with a hand-axe… Don’t.

#5. The Masai of Kenya


The Zulu aren’t unique in their circumcision minus anaesthetic ritual. The famous blood-drinking Masai are quite fond of the practice too, and even apply it to their female children. Of course, female genital mutilation is another perfectly acceptable practice once the wand of cultural relativism is given a quick wave.

Anyway, Masai men go through a whole battery of initiation rites beside the foreskin thing. Theirs is a warrior culture poised on the knife-edge of extinction, so many of their rituals are designed to weed out weaklings. One of the most extreme examples of this is lion-hunting. Though it’s no longer a common practice, mostly for reasons of wildlife conservation, Masai men were only considered true warriors once they brought down a lion using only a spear and shield.

You may remember thinking the bit from 300 when Leonidas takes down a wolf was prettybadass. Now, imagine a culture that sends lone warriors after fricking lions as a matter of course. Needless to say, Masai either returned men or not at all.

[VIA]



Dangerous Art Of Fire Dancing

Fire is the rapid oxidation of a combustible material (and/or substance) releasing heat, light, and various reaction products such as carbon dioxide and water. If hot enough, the gases may become ionized to produce plasma.Depending on the substances alight, and any impurities outside, the color of the flame and the fire's intensity might vary. Fire in its most common form can result in conflagration, which has the potential to cause physical damage through burning and can occasionally result in a phase transition in the affected mass if the temperature of the flame is hot enough.

Dangerous Art Of Fire Dancing

Dangerous Art Of Fire Dancing

Dangerous Art Of Fire Dancing
Fire dancing (also known as "fire twirling," "fire spinning," "fire performance," or "fire manipulation") is a group of performance arts or disciplines that involve manipulation of objects on fire. Typically these objects have one or more bundles of wicking, which are soaked in fuel and ignited.

Some of these disciplines are related to juggling or baton twirling (both forms of object manipulation), and there is also an affinity between fire dancing and rhythmic gymnastics. Firedancing is often performed to music. Fire dancing has been a traditional part of cultures from around the world, and modern fire performance often includes visual and stylistic elements from many traditions.However, the mother country of this kind of art is considered to be Bulgaria, East Europe. Fire dancing was part of the proto- Bulgarian traditions and celebrations of births and deaths. Only the virgins were allowed to play with fire, because for the proto- Bulgarians fire symbolized innocence, beauty and perfection.

Fire dancing is a very dangerous performance art, and fire safety precautions should always be taken.
Dangerous Art Of Fire Dancing

Dangerous Art Of Fire Dancing

Dangerous Art Of Fire Dancing
The various tools used by the fire performance community borrow from a variety of sources. many have martial sources like swords, staves, poi, and whips, where some seem specifically designed for the fire community. The use of these tools are limited only by the imaginations of their users. Some tools lend themselves to rhythmic swinging and twirling, others to martial kata, and others to more subtle use. Some common tools are:

* Poi - A pair of roughly arm-length chains with handles attached to one end, and bundle of wicking material on the other.
* Staff - A rod of wood or metal, with wicking material applied to one, or both ends. Staves are generally used in pairs or individually, though many performers are now experimenting with three or more staves.
* Fire hoop - hoop with spokes and wicking material attached.
* Fans - A large metal fan with one or more wicks attached to the edges.
* Fire umbrella - an umbrella that has the cloth removed, with kevlar tips.
* Fire meteor - A long length of chain or rope with wicks, or small bowls of liquid fuel, attached to both ends.
* Nunchaku - Nunchaku with wicking material, usually at either end.
* Batons
* Diabolo
* Fire stick - Like a traditional devil stick, with wicks on both ends of the center stick.
* Torch - A short club or torch, with a wick on one end, and swung like Indian clubs or tossed end-over-end like juggling clubs.
* Fire-knives - Short staves with blades attached to the ends and wicking material applied to the blade. Fireknives are the traditional Polynesian fire implement and have been in use since the 1940s.
* Fire rope dart - A wick, sometimes wrapped around a steel spike, at the end of a rope or chain ranging from 6-15 feet long, with a ring or other handle on the opposite end.
* Fire sword - either a real sword modified for fire, or one specifically built for the purpose of fire shows.
* Chi ball - 2 rings or handles with a wick attached between them by a thin wire.
* Finger wands - Short torches attached to individual fingers.
* Palm torches - Small torches with a flat base meant to be held upright in the palm of the hand.
* Fire whips - Lengths of braided aramid fiber tapered to make a bullwhip, usually with a metal handle about 12 inches long.
* Jumblymambas - a triple ended fire object for juggling, twirling and manipulation
* Fire poofer - a propane flame effect device

The variety of available tools took a sharp swing upwards in 2000, and as the numbers of dedicated fire tool makers increase, many makers add their own ingenuity to the art and expand the performance potential even more. Frequently, new tools appear from home tinkering and enter the public domain after a few performances.

Dangerous Art Of Fire Dancing

For More Images : Amazing Art Of Fire Dancing

Japanese Blood Shed Neon Lamp Fights

You have to hand it to the Japanese, they know violence sells and they market it like no other country can.

But this has to be the dumbest sport in history, two fat guys pounding each other with neon-rods until they’re both soaked in blood? I have no idea what this sport is called or who came up with the idea, but apparently it’s very popular in the Land of the Rising Sun, despite it’s obvious stupidity. I’d rather watch some K1 or UFC any day, this is just like wrestling only with real blood.

I wonder if those lamps are mercury free…if they’re not, do the fat guys know they could die from mercury poisoning?
Japanese Blood Shed Neon Lamp Fights

Japanese Blood Shed Neon Lamp Fights

Japanese Blood Shed Neon Lamp Fights

Japanese Blood Shed Neon Lamp Fights

Japanese Blood Shed Neon Lamp Fights

Japanese Blood Shed Neon Lamp Fights

Japanese Blood Shed Neon Lamp Fights


Traditional Bloody Boxing In Nigeria

Since the 1950s, Nigerian boxers have held their own (and often far better than their own) in international boxing competition. Examples include Hogan "Kid" Bassey (born Okon Bassey Asuquo), who won the world featherweight championship in 1957, and Dick Tiger (born Richard Ihetu), who won a succession of middleweight and light heavyweight boxing titles between 1962 and 1966.

Such success may be due in part to the role that indigenous boxing and wrestling plays in the culture of this West African nation. One such art is Dambe, a traditional pugilistic game of the Hausa people of the Saharan regions of West Africa. In Northern Nigeria, for example, Ado Dan Kware, Dan Dunawa "Gundumi", Ali Zuma, Balbalin Bala I, and especially "Shago," the most famous Dambe athlete of all time, are athletic heroes -- and for good reason. Dambe is an especially rugged striking art utilizing fists, feet, and head. Occasionally a fist covering has been dipped in ground glass, and damben karfe continues to be practiced, albeit illegally. (Damben karfe means "iron boxing" and refers to its hand-held punching implement, a mazagi, shaped roughly like a small trowel protruding from the striking hand.)





















The origins of Dambe are lost in antiquity, but its most thorough historian (in English), Edward Powe, notes that "the single bound fist and salute in dambe… bears a remarkable resemblance" to images of Egyptian boxers of the Classical period. Yet, despite this potentially venerable history, Dambe is virtually unknown outside continental Africa. Soon this will change, if Carambe Jarimi (born Ibrahim Yahuza) has anything to say about it. [EN1] Carambe's goal is to bring Hausa pugilism to the world, and he approaches the task with evangelical zeal.

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